It had been their first song to have a sitar instrumental. The song itself found fruition once the band’s leader Brian Jones found a desire for Moroccan music. It’s frequently claimed that Jagger acquired inspiration from novelist James Joyce’s 1922 book Ulysses, using the excerpt “I have to turn my head until my darkness goes”, talking about the novel’s theme of the worldwide desperation and desolation. The song describes the ultimate grief endured by one stunned through the sudden and unpredicted loss of a wife, lover or partner. Initially, “Paint It Black” was written like a standard pop arrangement, humorously compared by Mick Jagger to “Songs for Jewish weddings”. The song’s lyrics are, typically, designed to describe blackness and depression by using colour-based metaphors. Since its initial release, the song has continued to be influential because it was the first number-one hit having a sitar, especially in the United kingdom, where it’s charted on two other occasions, and it has been the topic of multiple cover versions, compilation albums, and movie appearances. The song graced the Rolling Stones with their third number-one hit single in America and sixth within the United Kingdom. “Paint It Black” got to at number 1 both in the Billboard Hot 100 and also the United Kingdom Singles Chart. Jointly credited in the the song writing partnership of Mick Jagger and Keith Richards, it was initially released as single on, and then became the opening track in the US edition of their 1966 album ‘Aftermath’. “Paint It Black” (initially released as “Paint It, Black”) is really a song through the British rock-band The Rolling Stones. Keep reading to discover the unique aspect of this recording that made it special at the time it was released. It reached number one here and in the states.
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